Student drawers working with Draftsman Roland Lusk at UMFA to install newly acquired Sol LeWitt work "Wall Drawing #33"

February 27 2019

During the month of February four College of Fine Arts students, Kristen Bennet (Photography), James Hadley (Printmaking), Christina Jones (Art History) and Laurie Larson (Film & Media Arts), were among six University of Utah students selected to help install a new UMFA acquisition by Conceptual artist Sol LeWitt. Students worked closely with Roland Lusk, draftsperson from the Estate of Sol LeWitt, who coordinated the project.

Sol LeWitt’s Wall Drawing 33 (1970) installation process is very unique, employing non-museum staff to draw directly on the gallery wall per LeWitt’s instructions—the essence of his works. The students have been working daily throughout February to complete the installation in time for the February 27 talk with Veronica Roberts, Curator of Modern and Contemporary Art at the Blanton Museum of Art at The University of Texas at Austin.

Roberts will share insights into the work of pioneering Conceptual artist Sol LeWitt,  highlighting the installation of a new acquisition of LeWitt’s work, Wall Drawing #33 (1970), at the UMFA. Wall Drawing 33, a pioneering work of Conceptual art, will remain on view for approximately five years in UMFA’s modern and contemporary gallery.

Art & Art History student Christina Jones spoke about her once in a lifetime experience during the past month of install:
“As an Art History major, I've learned about how rare the opportunity is to get to work on one of LeWitt's unique wall drawings, so I was elated when I learned that I had been selected as one of the student drafters for Wall Drawing #33. That excitement stuck with me each time I returned to the museum to draw, but I never expected the physical process to become such a meditative experience for me. When I would tell people that I was drawing precisely measured lines within individual one-inch squares for hours on end, I was met with several questions about whether it got boring or repetitive. But on the contrary, the instructional aspect of the drawing caused me to be calmly aware of the composition of both each individual square and the 10x10' grid as a whole. I'm delighted and honored to had the opportunity to contribute to LeWitt's conceptual legacy, and find it inspiring that this artwork truly exemplifies the creation of an experience.”

Curator Veronica Roberts on Sol LeWitt
WHEN 3/27 at 7P 
WHERE Katherine W. and Ezekiel R. Dumke Jr. Auditorium | UMFA
TICKETS This is a free event