Displaying items by tag: Drawing

Don’t miss the annual Howard Clark Scholarship Exhibition opening August 19 in the Alvin Gittins Gallery and running until August 30 with a special reception on Thursday, August 29 from 6 - 8 pm. The exhibition offers a unique opportunity to delve into the work of three recent alumni of the University of Utah Department of Art & Art History: Alyssa Hood, Lucy Le Bohec, and Alexis Rausch. Supported by the Howard S. Clark Painting Scholarship, featured students were able to make meaningful discoveries while developing new bodies of artwork.

"I have been interested in desire as a theme for my body of work,” Alyssa Hood describes. “I’ve used the subject of shop windows, to create a separation of boundaries between the observer, and the desirable.” While in the College of Fine Arts at the U of U, Hood’s daily practice continued to evolve but she particularly valued “being introduced to the complex beauty and structure of the human form.”

Lucy Le Bohec calls this particular selection of her work, “my favorite discovery while in school.” To achieve the effect she was looking for, Le Bohec applied paint in thin transparent layers.

“The primary visual themes the series are very low contrast and low saturation,” she reveals. “It has been important that the characters in each painting are difficult to distinguish from their surroundings, or they appear to be a part of their surroundings.”

The selected paintings by Alexis Rausch emerged from her experiences while hospitalized for nine months following a heart attack in 2016. “When you live in the hospital or another medical facility long-term, the privacy and identity of each patient is taken very, very seriously, so all of the sketches were made using stray golf pencils of only people's unidentifiable body parts” Rausch explains. “However, I came to find that these depictions are far more intimate and identifiable than the typical facial portrait since the body acts as a strange landscape for all of the things that happen to you.”

The heart attack came in the middle of Rausch’s senior year, forcing her to take time off and return to finish her degree when she had recovered.

“I received an overwhelming amount of support from multiple faculty members,” she describes. “They helped me learn that rejecting the hustle does not mean you are compromising your career or that you are weak.”

The Howard S. Clark Painting Scholarship, first funded in 1995, is specifically applicable to eligible graduating students with emphasis in Painting and Drawing and is awarded by area faculty. The scholarship supports the materials used in the making of the work as well as the exhibition. Beyond his generous support of the Art & Art History Department at the University of Utah, Howard Clark served as former chair of the Fine Arts Advisory Board. His abstract paintings can be found in permanent collections on campus at the David Eccles School of Business, University Hospital, and Gardner Music Hall.

Published in Finer Points Blog

During the month of February four College of Fine Arts students, Kristen Bennet (Photography), James Hadley (Printmaking), Christina Jones (Art History) and Laurie Larson (Film & Media Arts), were among six University of Utah students selected to help install a new UMFA acquisition by Conceptual artist Sol LeWitt. Students worked closely with Roland Lusk, draftsperson from the Estate of Sol LeWitt, who coordinated the project.

Sol LeWitt’s Wall Drawing 33 (1970) installation process is very unique, employing non-museum staff to draw directly on the gallery wall per LeWitt’s instructions—the essence of his works. The students have been working daily throughout February to complete the installation in time for the February 27 talk with Veronica Roberts, Curator of Modern and Contemporary Art at the Blanton Museum of Art at The University of Texas at Austin.

Roberts will share insights into the work of pioneering Conceptual artist Sol LeWitt,  highlighting the installation of a new acquisition of LeWitt’s work, Wall Drawing #33 (1970), at the UMFA. Wall Drawing 33, a pioneering work of Conceptual art, will remain on view for approximately five years in UMFA’s modern and contemporary gallery.

Art & Art History student Christina Jones spoke about her once in a lifetime experience during the past month of install:
“As an Art History major, I've learned about how rare the opportunity is to get to work on one of LeWitt's unique wall drawings, so I was elated when I learned that I had been selected as one of the student drafters for Wall Drawing #33. That excitement stuck with me each time I returned to the museum to draw, but I never expected the physical process to become such a meditative experience for me. When I would tell people that I was drawing precisely measured lines within individual one-inch squares for hours on end, I was met with several questions about whether it got boring or repetitive. But on the contrary, the instructional aspect of the drawing caused me to be calmly aware of the composition of both each individual square and the 10x10' grid as a whole. I'm delighted and honored to had the opportunity to contribute to LeWitt's conceptual legacy, and find it inspiring that this artwork truly exemplifies the creation of an experience.”

Curator Veronica Roberts on Sol LeWitt
WHEN 3/27 at 7P 
WHERE Katherine W. and Ezekiel R. Dumke Jr. Auditorium | UMFA
TICKETS This is a free event 

Published in Finer Points Blog